Chrysalis
- Villa Stuck Museum
- Munich (Germany)
- 2025
Spanish artist Gonzalo Borondo is a master of illusion. In his spectacular murals, installations and mixed-media works, he creates fantastic visual worlds that appear to be constantly changing, revealing the new, concealing the old and at the same time questioning the viewer’s perspective. Spatial boundaries dissolve, what is on the inside and outside merge into a sphere on which past and present seem to float. Borondo’s complex universe combines motifs of raw physicality with elements of delicate fragility, which like a fleeting thought reveal an equally strong presence. This creates multidimensional spaces of perception that lend the past new, contemporary impulses.
Every project begins with an intensive study of the location’s history. This is reflected not only in the choice of subjects, but also in the materials used. Each medium is specifically selected to convey the respective theme in an ideal way. Borondo is constantly experimenting with new techniques and combines traditional materials such as acrylic and oil painting with innovative approaches. These include scratch glass portraits, working with light and shadow and incorporating natural or found materials. All of these elements merge to create an overall approach that gives rise to mysterious and profound works. Borondo designed the scaffolding for the main façade of the VILLA STUCK museum during the renovation work. The white and gold painting wraps itself around the famous artist’s house like a translucent skin, hinting at many things and displaying themes that are deeply rooted in Franz von Stuck’s artistic world and at the same time bear Borondo’s unmistakable signature. Mythological figures such as fauns and centaurs, Dionysian elements and motifs revolving around Eros and Thanatos are given new life in a contemporary interpretation. Through subtle changes in symbolism, Borondo turns Stuck’s Manichean concept of gender upside down and encourages reflection on a new masculinity beyond traditional gender clichés on an individual and social level.
The veiled façade rises like an urban altar above Prinzregentenstrasse a visionary homage to Franz von Stuck’s Gesamtkunstwerk. The title “Chrysalis,” the biological name for the golden-spotted pupal case of some butterflies, refers to an ongoing process of transformation. However, turning the inside out only reveals part of the secret. In the museum, as in the the artist’s images, something new is maturing: a continuous metamorphosis combines the transformation of the museum with the transformative power of art, and heralds possibilities for the future.
Team project:
Artist assistant: Claudia Rodríguez
Project assistants: Daniel Aguado and Arturo Amitrano
Social media: Chiara Pietropaoli
Graphic design IG and Borondo’s web: Oriana Distefano
Photo model by: Gazo estudio fotografía
Project Manager: Gina Aguiar
Credit photo ©Roberto Conte Credit video ©Matteo Berardone(installation and final) and ©Juan Carlos Gargiulo (work in progress)